CRUISE
NO TICKETS
Screenplay
Starring
Citizen. . .
a black flag today. . .
signifies total ban on swimming.
In case of a sudden cramp. . .
apply the first aid regulations.
Music
Don't struggle with current. . . Keep strong and stay calm.
Try to stay on the surface.
Inform the lifeguard. . .
carrying a cap with a letter "B" on it.
Don't swim near unguarded beaches,
as nobody will see you drowning.
Attention, attention. Water is a dangerous element.
Lifeguard Karas Kazimierz. . .
is requested to return to his post immediately.
Director of Photography
Directed by
- Do you have a ticket? - Of course not.
- And you? - I don't have it either.
- So let's enter anyway. - Of course.
Sorry, but I'm not from here and I got lost.
To the city center straight? And to the right?
- Or to the left. - OK.
- Thank you very much. - Excuse me, sir!
To the city, I should go across the river, right?
I'm sorry, I'm not from here.
- Phew. . . - What?
One more control.
Not good. Not good.
- Wait, wait. . . No! Good ! - Why good?
We'll board like the man with the box, officially.
"With a box?"
Let's pretend we have some business here!
Excuse me! Excuse me!
- Officially. - What do you mean?
On the ship.
John, these two men want to see the captain ! Officially!
Take care of them or. . . Something of this kind.
You know what?
They're taking us for someone who was to come here with some business.
Any criminal record?
Nope.
Any foreign languages?
- Do you know any? - Which one?
Never mind which one. Just foreign.
- No, I don't know any. - I don't know.
Even a little bit?
Well a bit. . . the one, how is it called. . .
- French. - Education?
Maybe here, you know. . . here on the cheek.
Profession performed. learnt?
- I graduated from high school. - Very well. All right.
You know, we had one student. . .
You know, a student. Studied geography. So what? Even nice. . .
Yeah, in fact he was very nice. But you know, on water. . .
You need to be. . . you know. . .
Marital status - YES. Material status - YES.
Citizenship - YES.
Nationality. . .
It's wonderful here. Wonderful. Wonderful.
Thank you.
Forest. . . forest. . . Fields, pasture. . . It's being mowed with a tractor.
Excuse me, is it yours?
- Yes. Why? - I'm so sorry.
He behaved very badly. He deprived me of my meal.
- It's impossible. - I'm very sorry.
- I'm engineer Mamon. - I'm very sorry, Sidorowski.
Have a look. . . Come here. . .
Look, how beautiful it is.
My wife. Christine.
- Ms Mamon. - I'm very sorry, Sidorowski.
What have you done, Wojtek?
Yeah. . . Yes.
Wonderful. . . It's wonderful here.
Bundles of hay. . . Cows are eating. . .
Houses with eaves.
Oh ! A tethered dog. . .
Yeah. . . Yeah.
In these circumstances, admiring the beauty of the nature. . . Unique. . .
Did you close all the windows in our apartment?
Damn deckchair.
Drought wrought great havoc.
Raspberries are over.
What do you see there?
A horse. . . a cow, a hen, a duck. . .
A hen. a duck, poultry. . .
In these circumstances, admiring the beauty of the nature. . .
And uhm. . . And unique. . .
If you let me. . . And you as well. . .
I'll go and pick up my wife.
Oh !
That's it! I see it!
A road, probably to Ostroleka.
What was that guy's name? It started with Si. . Si. . .
No! Impossible it started with Si. . .
It's wonderful here. . . Really wonderful.
I'm very sorry. . . but my wife is very sorry because she's sleeping.
She fell ill, poor thing. In general she tends to have these things:
colic, liver, spleen. . .
Her leg. . .
What operettas have I played in? "The Haunted Manor", "Halka"
- "Jadzia the Widow" - Where are you hanging around?
- You got better, my poor thing. - The key, I'm hungry.
- I'll introduce you. - I'm pleased. Sidorowska.
Mamon.
- I'm Sidorowska, sir. - Mamon !
And this is our son. . . Romek!
Well, me, for example, I don't go to the theatre at all.
We go everywhere, sir. Theatre, cinema. shows. . .
Recently together with my wife, sir, we went to. . . shopping mall. . .
And I had my camera ZORKA 5 with me. . .
So I took some photos. . .
I don't like going to the cinema.
Especially I don't like watching Polish movies. I'm simply bored.
Foreign movies, yes, I gladly watch.
Because foreign movies are ok. You know?
Somehow watching it, you know. . . I don't know. . .
You can feel it. Feel it simply. You know. . . Feel it.
And Polish movie, sir, is simply. . .
boring. . .
Nothing's going on, sir. Nothing.
That's true, sir. . .
Bad dialogues. . . Very bad dialogues in Polish films.
Sir. . .
No plot at all. Nothing's going on.
It's surprising they don't follow the foreign model.
You know, after all. . .
Take for example, sir, a foreign actor. . .
So this foreign actor, his face, you know, shows something. . .
It's difficult for me now to say, you know. . . It shows something. . .
You know, sir, what I'm talking about. And Polish actor, sir. . .
It's some void, sir. . . Nothing ! Absolutely nothing.
Let's say that Polish actor, sir. . .
Let's say he plays, yeah?
I saw once such a scene. . . For example, well, I don't know. . .
For example, he starts his cigarette.
He starts a cigarette. . .
And, sir, he looks like this: first into the right. .
Then he into left. . . And straight. . .
And nothing. . .
It drags on and on. . .
Simply it drags on. sir and there's no end to it.
I'm sitting in the cinema, sir. . . Do you understand?
And I'm looking at it. . . sitting and looking. sir. . . as usual. . .
So I'm looking and looking. . .
And, sir, I feel like leaving. . . the cinema. . . And I'm leaving. . .
And, sir, who pays for this? You, sir. . . You. madam . . .
We pay. . . It's our money, sir. . .
- Society. - The entire society pay, sir. . .
Good morning, ladies and gentlemen. I'd like to introduce our new friend,
who will cruise together with us.
I think. . .
He'll be in charge of: entertainment, culture and art.
If you cooperate with him you'll be satisfied.
Good luck.
We know each other very little. . .
So maybe I'd say something about myself, first.
I was born. . .
I was born in Malkinia. . . in 1937. . .
in July. . .
Well. I mean. in the middle of July. . . In fact in the second half of July. . .
17th of July exactly.
Yeah. . .
So that'll be all about myself at the beginning. . .
Do you have any questions?
At every meeting it's always the same,
somebody has to start.
- Excuse me, may I? - Of course.
I have a certain question.
- We're listening. - But I don't know if I may?
Yes, you may, you may. Absolutely, go ahead.
I'd like to swap beds. I have such a situation. . .
You know, sir, I'm surprised you come up with such a problem.
I only wanted to ask.
And with whom, sir, would you like to swap your bed?
With nobody. There's an empty bed beside mine. . .
Much better and wider. . .
- How do you know that? - I tried it.
Well, yes. So. . .
As a matter of fact, I can tell you that. . .
In fact you can swap. I mean. . .
You cannot.
I think so.
So I'm to sleep on the one. . . that has been given to me.
No. I mean. . . Which one are you sleeping on now?
The one that is. . .
That is on the left when I enter the cabin.
OK. Mine is on the right.
I'd like to introduce myself. . . I'm engineer Mamon.
Ladies and gentlemen.
I'm not against meetings, on the contrary,
I hide no grudge against them but. . .
Ladies and gentlemen, I'm Miss Mamon.
Nobody is forcing us to sit here, on the contrary,
I'm sitting here of pure pleasure.
Ladies and gentlemen, I'd like to say something about
poetry precisely which is what I do.
I'd like to say that poetry is some kind of. . .
We can't understand anything.
Go to the centre and speak louder.
Go to the centre!
Good morning.
Well, I'd like to say something about myself
and arouse your interest in my. . .
In my poetry, which in fact is like a. . .
Is a factor which simply allows me to. . .
Allows me to meet people, enter their lives, their worries. . .
Speak to the gentleman maybe. . .
And this is why I'd like to tell you how. . .
how and under which conditions my poems come to this world.
It's a strange thing in fact. As strange. . . as I am .
I have my own private world in which I live.
And you lack all this that I have: sorrow and. . . and nostalgia.
- Sorrow and nostalgia. - Sorrow and nostalgia !
- We can't hear. - Sorrow and nostalgia !
It's not easy for me to write,
let's say on a suggested subject.
- What subject? - Suggested subject.
It's difficult for him to write on a suggested subject.
And this is why. . . my subject. . .
Let's say, the subject I keep working on. . .
- Excuse me? - Subject I keep working on.
The subject I keep working on is beauty of the nature. . .
- Unexpressable. - Undressable?
Unexpressable.
Wild nature. Uncontrollable.
Let's say with all these. . . most artistic aspects.
He's speaking now. . . speaking about the nature.
It's difficult for me to speak like that. . .
To you at this moment as we've just met a while ago. . .
But already. . .
from your faces. . . I can read the truth
- about your past. - About future.
- About past. - About our past.
- If I were a clairvoyant. . . - If he were a clairvoyant.
- I could tell you more. - He could tell us more.
- But I'm not so. . . - But he's not so. . .
Never mind.
I can tell now, I can even point with my finger.
He can point with his finger.
The faces that. . .
Faces that I could read the most.
He can point with his finger faces that he can. . .
read the most.
So maybe we'll ask you to do it. If you don't mind. . .
I wouldn't like to do it. . . You'll find it in my poems. . .
You'll find it in his poems. . .
During every lecture. . .
Whenever I do it among people I know. . .
I choose one victim who. . .
After a while is completely devastated. . .
They even might reach some kind of. . .
- Nervous ecstasy. - What ecstasy?
Nervous ecstasy.
- Where? - During my lecture.
During my lecture. It causes me a lot of worry.
It causes him a lot of worry.
- I got used to it. - He got used to it.
I want to enter people's lives. I want to know their worries.
I'd like to prevent. . . somehow. . .
Let's say. . . with my own writing, I'd like to prevent. . .
Some cataclysms, let's say. Or. . .
Or even prevent some. . . Moral decline.
He wants to prevent moral decline.
But these matters are. . .
- Excuse me? - I'm sorry.
These matters are. . . And everybody would agree. . .
Especially for such people who are here with us. . .
I'd like us to initiate
for passengers present on board. . .
A soirée.
As a part of this evening. . . I'd like to do something
that has never been done before.
Something that has never been done before.
Talking about the correct idea of an enter. . .
I had it right.
Talking about the correct idea of an entertaining programme,
I'd like to point out one flaw.
Emphasis is placed on the intellectual and spiritual side,
And we pass over the physical site.
I'd suggest following sports disciplines:
- I'd like to take the floor. - Swimming. wrestling, boxing.
Everyone can criticise. But I have a feeling, sir,
that criticising the others doesn't do any good to anyone.
Therefore taking into consideration,
the fact that we may be criticised, we must arrange things in such a way
not to be criticised. General approval and acclaim only.
Approval for the decisions we will take.
I think what you are talking about is quite reasonable. . .
And. . . I think we simply need it.
In this case, we should start and create something. Organize things.
I agree. Let's stop talking but start acting.
I want to say few words.
I suggest choosing the gentleman, who is running this meeting,
to be a candidate for a Cruise Council. Anybody against? No? Thank you.
Thanks. In this case now I would like to propose
the second candidate for this Council. I suggest choosing this gentleman,
who announced my candidacy. Any objections?
The voting taking place here,
would be considered invalid in some important institutions.
There are three ways of voting. First one by applauding.
Everybody applauds.
Second way. . . Using balls.
Everyone entitled to vote receives black and red balls. . .
Excuse me, not black and red but black and white. . .
We use black one to vote for or the opposite. . .
The black ball is against and the white one is for, or the opposite.
There's also a third way. by raising hands.
And this way is the best.
But what method should we apply to choose the method of voting?
Gentlemen. Let's not forget,
that it is to be a surprise for the captain.
A total surprise.
The thing is that we don't want the captain to know about it.
I have an idea.
Gentlemen, listen.
I think
we should do something and keep it secret.
It has to be a secret captain can't guess.
There's another thing I need to tell you.
The anniversary is on Tuesday.
So we have to decide here and now how we are going to celebrate it.
Are we going to celebrate it singing or. . . maybe
reciting poems, gentlemen, or. . .
Shall we dance and do some gymnastic show?
Now, this is the most important issue.
We do it this way, that way or the other?
An idea of a show. that has never been seen before,
emerges from this discussion.
Idea of something completely new.
A new value may emerge only by merging two different
conflicting values. If we want to get a new value.
we have to clash physical elements
with the spiritual values.
If nature, in other words. something physical,
is primary, it is a thesis. Then culture is an antithesis of it.
And a synthesis is what we want to get.
When one of us exercises,
it represents nature - thesis.
When another person sings, it represents culture - antithesis.
If we want to create art answering our standards.
we must put more emphasis on the physical element.
without forgetting about spiritual side.
This is the new strategy of synthesis.
This is the new conception of art.
And?
I must say I like it.
Yes. I'm of the same opinion because it's sad.
- Yeah. - Formally, it's very interesting.
I like the melody. I've never heard it before.
I like it that you're saying you like it.
The beginning looks promising, I think.
Especially this part:
"When I have you by my side! "
Yes. This is good.
I imagine it with some ballet.
Why would you like to combine it?
Simply because the melody here doesn't have any specific. . .
well. . . no specific lyrics.
We could suggest a subject by dancing.
You're talking about lyrics but you have in mind the content,
which is missing here. If it's a form without any content,
then the objectivity value is missing so it's pure formalism.
And this is dangerous but formalism is dangerous also because
when there's no content, then a different sense can be given.
to music. even such a sense, which we wouldn't like it to have.
If it was the other way round. . . I don't know. . .
- After all you liked it, didn't you? - Me?
Well, yes.
Sir, I have analytical mind. I like melodies,
which I have already heard. It's as simple as this.
You know. . . reminiscences.
How can I like a song, which I hear for the first time?
But. . . in fact. . . What did you want to express?
- Well. . . my heart. . . - Your heart with whose heart?
With her heart.
- So you're singing to a woman? - Yes.
But we are preparing it. . . We're to sing for the captain.
Well, for the captain it's probably not the best.
- It doesn't really match. - What can we do now?
After all. maybe it's a good idea to combine it with dancing.
Create a whole story. It wouldn't be that bad.
We can try. Go ahead and sing.
Don't stress. You're not a child.
"Nobody wants us. . ."
"God, save the Tsar. . ."
Excuse me. Stop it.
We're not alone on this ship, so it's better, you know. . .
We decided to prepare it for the captain.
Sing, please. but rather quiet.
Could you hold it, please? Yes, go ahead.
Good. "Goodbye, beautiful girl".
"Goodbye, beautiful girl. Our country needs me.
I'm leaving for war, To fight like other lads.
And although I know, What will probably happen,
Don't cry, beautiful girl, We'll meet in heaven".
Well, it's even not bad, but. . .
I'm not completely sure. . . In fact, I don't like it at all
that they are to meet in heaven, as you sang it. . .
If you just think where else they could meet. . .
Everywhere but heaven.
"And although I know. . ." Change from here.
I forgot the lyrics.
"Don't cry, beautiful girl. . ." What did you say. . .
- "And although I know. . ." - "What will probably happen
"Don't cry, beautiful girl We'll meet in a GRAVE.
- Instead of heaven. In a grave? - What is this rhyme?
In my opinion if anybody can be interested in it. . .
If there is someone who likes it,
then it means, he doesn't love his mother.
Sir, I also go to see fashion shows,
but I am not saying I do it because I love my mom.
Twaddle.
Preying on youth and exploiting it is more practical. but it's not art.
In old days, painters painted old and gnarled people.
And this is the most beautiful. . . The best paintings show old people.
Sir, there is a saying, you know. . .
So there is such a saying, that youth must have its fling.
If it's really like that,
then, when it comes to old age, sir, then what?
Sir, I personally think that, the truth and the beauty
are absolute values combined by dialectics.
There can be an awful truth and a beautiful lie. Right?
However, art is an independent value. Right?
It was the truth, the artistic truth about an old man.
But about a young man too. Young man who will become old. Right?
"Nobody wants us. . ."
- I've something to tell you. - I'm listening to you.
In ladies toilet somebody wrote "The leader is stupid".
What?
In ladies toilet somebody wrote "The leader is stupid".
- And you have noticed that? - Yes, Sir. That's the evidence.
Very well. Keep it.
And thank you very much.
Keep all the time your eyes and ears open on all the matters. . .
In general be aware what's going on. . . In general.
What were you doing in a ladies toilet?
- Me? - You, not me.
When a men's room is busy, I go to the first, which is free.
- What were you doing there? - The usual.
- But in a ladies toilet? - I do the same as in the one for men.
With some things you shouldn't exaggerate. Remember that.
You have never been to a ladies toilet?
We have to react. Obligatory.
Let people know they won't get away with such things.
We could make a trial. You are an expert in these matters.
I can't suggest who did it.
We have to investigate, how it happened.
who took part in it, or who is suspected.
We must conduct a normal investigation, but a tiny one. . .
And we must apply some punishment.
It must approved by the body of judges
in order to scare off the others
and prevent such acts of wild vandalism.
- Maybe not the death penalty. . . - No, when it comes to such acts. . .
That's what we all say, but they must be punished. . .
"It was May, lilac started to bloom . . .
We looked together at the full moon. . ."
I'm deeply moved.
It touched my emotions.
It's somehow exciting.
What about you?
- Eh! - What?
What do you think?
- About what? - What do you mean "about what"?
- I don't understand. - What do you think about the song?
What song? I'm very sorry. I wasn't listening
as I was deep in my thoughts.
Don't sing one more time. What was it about?
Could you sum up in few words. I'll listen and think about it.
It's short. You can put it in three sentences.
He's alone. He doesn't have a girlfriend. And he's not doing well.
There's so much hopeless sorrow in this song,
so much of nameless longing
and hopes which have never been fulfilled. . . that it grabs my heart.
This song?
Yes.
I don't know because, frankly speaking, I haven't heard the song,
and I wanted to say
few words about it because I think,
gentlemen. you are misinterpreting
what you have heard. If someone here,
at this moment, at present.
in very specific circumstances, as we all are here
of sound body and mind. . .
So if someone sings, that he's not doing well,
that he doesn't have any goal in life,
nowadays, when the world around us is full of goals.
We can see the number of goals increasing day by day,
People are working shoulder to shoulder,
they are everywhere together, feel attached one to another
and suddenly someone is singing
that he's alone, has hard time adapting, doesn't have anybody,
that he longs for something hardly definable,
since we all know that we have very clear goals,
defined aspirations, and we long for something clearly defined.
If someone signs like that. he can't be singing seriously.
That's the problem.
Don't interrupt me. He can't be singing seriously.
You are misinterpreting this song.
He's ironic. playful and humorous,
about the subject of his song.
Therefore I believe this song is not sad,
pessimistic and, as you claim. grabs your heart,
it's not tearful. In my opinion,
this song is optimistic, cheerful, with many humorous elements.
We need such cheerful, optimistic and sound songs.
We even need sometimes humorous and ironic songs.
So I would interpret it like this.
But where do the tears in his eyes come from?
I move that the singer should be assign to a sports section.
First, he won't be alone.
Second. he will learn how to be more optimistic in life.
Even more optimistic than he is now.
Right. Third and the most important, he will stop singing.
Dutch painters painted old and gnarled people.
They didn't hide the ugliness of their models but showed their beauty,
as they kept distance to their material.
In our show, we are both, the material and the artists.
So if someone was physically imperfect, he wouldn't know
where his ugliness starts and where it ends.
So he wouldn't be able to have
an appropriate distance towards himself.
And for this reason, I think,
I'm personally unable to further take part in this gymnastic show.
I can't find the distance.
Why?
I can't be an artist and a material at the same time.
I believe I have the right to choose.
Obviously.
Please.
- It was you, sir. - Yes.
Please.
You, sir.
No, please.
It was me.
Excuse me?
If it wasn't you. it must have been me.
Not at all. Please.
Sir, please. go ahead.
Please, sir. We are very glad.
First question. Can you hear me?
- Me? - Yes, you. - I can hear you.
Next question. What is the name of the city by the Vistula River?
I can add that it's the same as the name of one of Polish kings.
- But what city is it? - I'm asking you what city it is.
Then I don't know.
Kazimierz! Do you have our key?
Please, don't suggest the answers.
The answer is Keyberg.
- Wrong answer. It's Kazimierz. - Roman.
Next question, please.
Domestic animal, living on a farm, near the Vistula River.
Give us the sound it usually makes.
Could you repeat the question?
Domestic animal, living on a farm,
near the Vistula River, give its sound.
I'm Piotr Pietrzyk from Rzeszow.
You misunderstood. I don't need your name.
Answer the question. The sound of this animal.
How much time do I have to answer?
Be precise. Do you know the answer, or you don't?
Of course. . . it's a cow.
What will the jury say?
A cow is ok.
But we meant. . .
- A horse. - A horse and the sound it makes.
Stop. Time is over.
What will the jury say?
The answer isn't correct. We meant the sound made by a muzzle.
Bumpety-bump. . . bumpety-bump. . .
This was what we meant.
Questions are tendentious.
How come you found yourself locked in ladies toilet?
I'm asking you for your own good.
You will have to justify yourself in front of me
and in front of this gentleman, who conducts the investigation.
Why did you come late for the rehearsal.
why didn't you go out on time, why didn't you shout
You simply didn't show up at rehearsal.
I was shouting but nobody heard me!
- Why didn't you go out? - I was banging the door with my fist!
Don't raise your voice at me. I'M NOT AFRAID OF YOU ! ! !
"Swoosh of surf, trilling birds, Golden sand among the trees.
All these things at summer time Make me always think of you.
Sha-Ba-da-Ba. . . ."
But wait, wait, wait. . . This song. . .
You were to sing a song which would be more engagé
And I let myself get involved in such a. . .
But this is an engagé song.
- It is. - How come?
It must be preceded by some introduction. . .
For example, it's happening in Greece or Portugal
where unfortunately love can't bloom. There's no place for love now.
Yes. If we make this introduction it's obvious.
So we need this introduction. All right. Very well.
Sha-Ba-da-Ba. . .
"Swoosh of surf, trilling birds, Golden sand among the trees.
All these things at summer time Make me always think of you.
Any new proofs? Maybe some new evidence. . .
Engineer Mamon went to ladies toilet.
We must fight for justice. I'm absolutely determined to do it.
You are an expert in these matters, so you know how to do it.
I don't want to butt in.
Engineer Mamon must be punished. We must sentence him .
We must really prove he's guilty!
Exactly, so go and find it.
Find, Mister Waclaw.
I need time to work this case out. I must find the proof.
Do it today until lunchtime. . .
Take care of it. We don't have time for such things. . .
It's getting out of our hands.
Dear friends.
I think the situation got to the point
when we should clearly and openly express certain opinions. . .
I think. . .
we should expel one person from the Cruise Council.
I hope. everyone will agree with me.
We have to formulate charges, which we already have,
and after having them formulated, we must find a person.
who would match our idea and these charges. . .
And after we must simply expel this person. That's it.
On board of this ship there is a person, who. . .
during the office hours
abuses beer.
Therefore it should be obvious to everybody. . .
- Do you have someone in mind? - Yes, I do.
- Then we shall formulate the charges. - Shall we?
- We shall. - It's engineer Mamon. . .
Engineer Mamon.
Apparently, gentlemen, we all agree
when it comes. . .
to engineer Mamon. . .
- Mamon. - Mamon. Yes.
So. . . Do we. . . Do we still need to. . .
In your opinion, do we still need to. . .
pass a resolution? No we have already past it.
And we will inform . . .
Of course, the interested party. Mister Mamon.
Shouldn't he be one of the signatories to this resolution?
No!
In my opinion. . . We will see. . . If he insists. . . maybe we can. . .
No, we will get into a debate,
and we will stray from the subject, which we have just raised.
He may bring counter arguments. . . and will try to defend himself. . .
I'll be damned, gentlemen !
I spent ages in line in this bar,
just to get 4 beers. Maybe some of you fancy. . .
Here you go. "Full light".
Here you have.
- Bloody good. isn't it? - No. . . not really. . .
Mister Mamon. . . You came slightly late to our meeting,
and in consequence you aren't fully aware of issues
we mentioned here just few moments ago.
Not to mention the fact
that we are all obliged to appear at meetings on time. . .
I'm very sorry for being late this time. . .
I understand, I really do. Of course. . .
But the things are. . .
that this gentleman here has a very precise thing to tell you.
It's quite unpleasant but he decided
that he would tell you about it. Go ahead.
It has been noticed. . . that you. . .
Let's not talk about what has been noticed. We know it already.
It's not really about the beer but. . . about using these words.
But what have we finally decided and agreed to?
We have decided that you would be expelled from the Cruise Council.
We have a feeling, it will be better for you. . .
as you seem to have very little time and don't have free moments
to devote to matters connected with the Cruise Council.
- It's a little bit. . . - You'll have time to drink beer.
- Let's not be spiteful. - Thank you very much.
Engineer, I wanted to thank you very much for your cooperation. . .
We used to get on very well, It was nice an pleasant.
- It's a pity. . . - Goodbye. gentlemen.
Happy Birthday to you !
Live a hundred years!
Happy Birthday to you !
Live a hundred years!
Stop. stop, stop!
I'm telling you, it should be a cheerful, optimistic song.
You were a member of the gymnastic section so you should be more positive.
You were active there. . . you were among people. . .
- Josef, more lively. . . - Your "Happy" is so empty.
The song you sang to us,
the one we analyzed, was happy and optimistic.
- "Happy" ! - Stop smiling to me!
Smiling doesn't help. sing happily and cheerfully.
When you sing in a non-optimistic way, nothing good comes out.
Not singing happily, makes it pessimistic, rotten and gloomy.
And it is to be an optimistic event. Full of real optimism.
This is, sir, some disgusting, perverse pessimism,
because you are not only smiling but also singing grimly!
So, I won't repeat, sing in a optimistic way! Right now! Happy!
"Happy birthday"!
- He got so nervous. - Yes, he's shouting at me. . .
"Happy birthday"! No, it doesn't work!
"Happy birthday to you ! Live a hundred years" !
- It's really awful. . . - "Happy birthday, happy birthday" !
Haaaaaaappy!
Haaaaaaaappy!
In this case we won't sing anything.
"Happy birthday!
Happy birthday!
Live a hundred years!
Happy birthday, happy birthday!
Live a hundred years!
And one more time,
Happy birthday to you!
Happy birthday!
Live a hundred years! Happy birthday to you!
And one more time, Happy birthday to you!